Taiko Tari Online

Life is so full of surprises. You pick a path when you get up in the morning, much to your astonishments, some things can go extremely 180 degrees from what you plan it to be. I'd like to share with you the bizarre incidents or stories in my life.

Sunday, May 13, 2007

Another musical week

Much to my enjoyment, this week turned out to be rather musical. One for Carlos' concert, followed with an extensive drumming session the following day, wrapped with a jazz evening in Kichijoji.

The "Melodies from Gedo Senki" concert by Carlos Nunez presented itself to be a very nice event. It is the first one that Carlos had done in his series of promotion for the particular album. The concert was advertised to be including two very distinguished guests, one is Aoi Teshima, a raising young singer who was the voice talent for the Therru/Tehanu caracter in the movie as well as Akiko Yano, a prominent jazz and pop musician who's known for her exquisite piano talent and unusual singing voice.
Along these outstanding collaborators, two that I felt very privileged of getting to know for the first time is Marie Nishiyama, the harpist (amazing harpsicord she plays!) and also Aska Kaneko, leader of the Aska Strings. Meeting them all backstage was a wonderful perk, they are such highly accomplished musicians, wonderfully talented, but they are very down-to-earth and above all... NORMAL.

The concert was held in the beautiful NHK Hall. I was lucky for scoring a very good seat, which is practically in front of the stage (7th row from the front).
Having been to so many of Carlos' performances, I have always told myself that one of these days I will no longer be impressed by it. Boy, was I wrong! One thing that you can always count on Carlos, is his extreme unpredictability. The man is a genius and one of the few people who is always pulling something completely out of the blue and making it work.
The concert started with a beautiful tune from Cinema Do Mar, I can't remember whether it was "Women of Ireland" or "Tristan and Isolde", it was smooth and soothing. And then after a short speech in Japanese (nice try!) and gaining a few loud chuckles from the audience, the concert progressed with songs after songs from the new album. It was equipped with a very nice slide show, snippets from the movie, as well as other images, interesting lightworks and closed with a little interesting entourage by the Tokyo Bagpipe Society. That was the first half of the concert.
The second half, we were lulled into the concert again with songs from different movies and collaborations by other musicians and finally closed with some Irish dancing by some hundred people in the audience.

Ah... good times!

Taiko drumming the following day was good too. Sensei was teaching us how to do what we call the nidan uchi. It is when you're doing a piece of music using two taikos on both sides. Usually two drummers will be playing an identical piece simultaneously, in front of each other, and then swap position. This can be complicated and highly dangerous when we're not used to do it. Oh, dear, I think I got hit by one of the drumming partner like 4 times. Also I hit my thumb several times myself, too... OUCH!

Friday night, my comrades Odaiko Div and Annie Bananie came up with an idea that we should all go out for a bit of music. The choice fell on Tokyo's renown underground jazz spot "Sometime Piano Hall" in Kichijoji. This is a live house with Blue Note quality, but with only a speck of the cover charge. Everyday this place will have different performers, with 2 or 3 stages per day.
The evening that we went, we had a jazz quartet performing. One funky all white-haired-drummer, very cool middle aged gentleman as the bassist (double base) and beanie-headed pianist, and lastly the singer (interesting hair style, she carried the hair of Jon Bon Jovi at his worst; but if you're willing to look beyond her hairstyle...) with a very cool air to add to her husky voice and for always getting completely absorbed in her songs.
The night was fine, the chat was true and the joy was fulfilling.

Ah, life... it can be bizarre and challenging at times, but it is nothing that a little bit of music can't solve.
I thank you, all esteemed musicians, for the music.

Muchas gracias!

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8 Comments:

Blogger femmy said...

sounds wonderful. has carlos done a concert in Indonesia?

May 14, 2007 at 4:31 PM  
Blogger Taiko Tari said...

Hola Femmy - no, sadly Carlos has never done a concernt in Indonesia yet. To be honest I doubt that he will ever. He doesn't have a market there. Celtic music in Indonesia... somehow the picture doesn't look right.

May 14, 2007 at 9:17 PM  
Blogger femmy said...

Less right than Celtic music in Japan?

btw, how different are Irish/Scottish Celtic music from Galician? I must admit I am getting more curious about it, as I do like what I've heard so far of the Irish/Scottish genre. More and more of them are creeping into my Yahoo!Radio (who recommends them to me based on my music rating). I hope they have Carlos's music on their playlist.

May 15, 2007 at 12:55 AM  
Blogger Taiko Tari said...

I'm not exactly the expert to talk about these matters, to be honest. But for starters the bagpipes that are used in Ireland, Scotland and Galicia are different to begin with. The Irish used what is called the uilleann pipes - so you pump the air in using one arm, and pump the air out to the pipe using the other arm, so almost like doing the chicken dance.
On the other hand the Scottish bagpipes and Galician bagpipes are similar to one another, in a sense that you actually have to blow the air into the bag and slowly you squeeze it out to the pipe, so if you have the bagpipe full, you can actually start screaming along the tune playing with the pipe.

What distinguished each other most is the tune that is played on the bagpipe. Irish, Scottish, Galician pipes each have different twang that are unique to their own regionality. It really is quite fascinating considering there is only 1.5 octaves to a bagpipe, yet the sky is the limit in exploring the tune.

Please bear in mind there are 7 regions of Celtic music in the world, with Galicia being the 7th most undiscovered region. Most literature acknowledges only 6, based on the linguistic heritage (Irish, Scottish, Manx, Cornish, Bretons and Welsh).

Now about Celtic music in Japan... Sweetie, people in Japan are willing to pay, I guess that's the bottom line of it. They are willing to put money down for something that is new and exciting. Unlike in Indonesia, I don't think Indonesian audience are willing to pay say... 500,000 rupiah for a seemingly interesting performance from a musician that they have never heard of before and for a type of music that they have never been exposed to before.
It will take a collaboration with a major traditional musician to make this work. But frankly, we don't have that many traditional musician to speak of. I can be wrong, though.

May 15, 2007 at 10:10 AM  
Blogger femmy said...

You may be amazed by what Jakarta people are willing to pay for something they think is cool or shows prestige or boosts social status. I heard they even scoff at free shows.

But I think you're right in that it would take some major marketing campaign first to introduce this new kind of music.

May 15, 2007 at 10:48 AM  
Blogger Taiko Tari said...

Ah... those Jakarta people...

May 15, 2007 at 11:16 AM  
Blogger Genilimaa said...

Hey,
Noticed that both our latest post are missing comments?
I fixed it on mine by opening the post editor, go to the settings at the bottom of the editing window and change comments to allowed.

Don't know how it happened but it did!

May 20, 2007 at 6:17 PM  
Blogger Taiko Tari said...

Wow, didn't notice that. I just naturally thought that my post was really THAT boring that nobody wanted to comment.

Thanks for picking that up and letting me know about it. It's fixed now! Onto checking your post now.

May 20, 2007 at 10:26 PM  

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